A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
The film's core subject matter of crime and individual morality within a criminal underworld lacks inherent political valence, and it does not present a clear political problem or champion a specific ideological solution, thus remaining apolitical.
The movie features visible racial diversity within its main cast, with significant roles played by Black actors that are integral to the story. However, the narrative itself does not explicitly critique traditional identities or center on strong DEI themes, focusing instead on character-driven plots within a criminal setting.
Pulp Fiction's only engagement with themes adjacent to LGBTQ+ identity occurs in a scene of extreme sexual violence and degradation. The film depicts male-on-male sexual assault and BDSM elements solely in a context of villainy and dehumanization, offering no positive or nuanced portrayal of queer identity or related practices.
The film portrays a character's profound spiritual awakening and reinterpretation of Christian scripture (Ezekiel 25:17) as a catalyst for personal redemption. The narrative validates Jules's positive transformation from a violent hitman to a man seeking righteousness, driven by his newfound faith.
The movie does not contain any action or adventure elements.
Pulp Fiction is an original screenplay with characters created specifically for the film. There are no pre-existing characters from source material, history, or prior installments whose gender could have been altered.
Pulp Fiction is an original screenplay with characters created specifically for the film. There is no prior source material, historical basis, or established canon for any character's race to be altered from, thus precluding any race swaps.
Combines user and critic ratings from four sources