It's the final chapter in the cult classic Class of Nuke'Em High Trilogy, and this time the fate of Tromaville hangs in the balance! Following the destruction of the Nukamama Power Plant by the lovable and horribly mutated toxic squirrel Tromie. Roger Smith (Brick Bronsky) and his half-subhumanoid son Adlai (also played by Brick Bronsky) are working to rebuild Tromaville into a place where human and subhumanoid can live together in peace. Unbeknownst to them, Adlai's twin brother Dick (again played by Brick Bronsky!), kidnapped at birth and raised by the evil Power Clite, has plans to regain contol of the Subhumanoids and turn Tromaville into a nuclear waste dump. In a showdown for the ages, "The Good, the Bad and the Subhumanoid" face off in an explosive sci-fi battle of epic proportions!
It's the final chapter in the cult classic Class of Nuke'Em High Trilogy, and this time the fate of Tromaville hangs in the balance! Following the destruction of the Nukamama Power Plant by the lovable and horribly mutated toxic squirrel Tromie. Roger Smith (Brick Bronsky) and his half-subhumanoid son Adlai (also played by Brick Bronsky) are working to rebuild Tromaville into a place where human and subhumanoid can live together in peace. Unbeknownst to them, Adlai's twin brother Dick (again played by Brick Bronsky!), kidnapped at birth and raised by the evil Power Clite, has plans to regain contol of the Subhumanoids and turn Tromaville into a nuclear waste dump. In a showdown for the ages, "The Good, the Bad and the Subhumanoid" face off in an explosive sci-fi battle of epic proportions!
The film's primary focus on apolitical exploitation, camp, and horror-comedy, combined with its over-the-top and parodic approach to any potential social commentary, results in a neutral political stance.
The movie features primarily traditional casting, consistent with its genre and era, without explicit race or gender swaps of roles. Its narrative does not explicitly critique traditional identities or center strong DEI themes, instead focusing on its characteristic B-movie satire and exploitation.
The film portrays Christianity through the character of 'The Rev.,' a satirical and hypocritical televangelist. This depiction critiques the abuse of religious authority for personal gain and power, reinforcing a negative stereotype of certain religious leaders without offering any significant counterbalancing positive portrayal of the faith.
The film "Class of Nuke 'Em High 3: The Good, the Bad and the Subhumanoid" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on its specific brand of B-movie horror-comedy without engaging with queer identity in any capacity.
The film does not feature any scenes where a female character defeats one or more male opponents in direct physical combat. Female characters are present but do not engage in or win such encounters through skill or strength.
The film introduces new main characters for this installment rather than recasting established characters from previous films with a different gender. No canonical characters from prior installments or source material are portrayed with a different gender.
This film is a sequel where key returning characters from the previous installment are portrayed by the same actors, maintaining their original race. There is no evidence of any character, canonically established in prior films or source material, being depicted as a different race.
Combines user and critic ratings from four sources