PeacockEverybody Loves Raymond (1996)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.1
Overview
Ray Barone is a successful sportswriter living on Long Island with his wife Debra, daughter Ally, and twin sons, Geoffrey and Michael. That's the good news. The bad news? Ray's meddling parents, Frank and Marie, live directly across the street and embrace the motto "Su casa es mi casa," infiltrating their son's home to an extent unparalleled in television history.
Starring Cast
Where to watch
Peacock
Paramount+
PhiloBias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
Ray Barone is a successful sportswriter living on Long Island with his wife Debra, daughter Ally, and twin sons, Geoffrey and Michael. That's the good news. The bad news? Ray's meddling parents, Frank and Marie, live directly across the street and embrace the motto "Su casa es mi casa," infiltrating their son's home to an extent unparalleled in television history.
Starring Cast
Where to watch
PeacockParamount+PhiloDetailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The series primarily focuses on apolitical themes of family dynamics and marital struggles, using humor to explore relatable interpersonal conflicts rather than promoting or critiquing specific political ideologies or societal structures.
The series features a traditional, predominantly white cast without explicit race or gender swaps. Its narrative centers on the comedic dynamics of a conventional family, exploring traditional identities and roles humorously rather than critically, and does not incorporate DEI themes.
Secondary
The show depicts the Barone family's Catholic faith as an integral part of their Italian-American cultural identity, often serving as a backdrop for comedic situations related to guilt, tradition, and family dynamics. While it gently satirizes individual characters' struggles with religious obligations and cultural interpretations, it does not portray Catholicism itself as oppressive or negative, maintaining a sympathetic and respectful stance towards its role in their lives.
Everybody Loves Raymond, a sitcom from the late 1990s and early 2000s, primarily focused on the dynamics of a traditional, heterosexual family. The series did not feature any identifiable LGBTQ+ characters or themes, resulting in no discernible portrayal of queer identity within its narrative.
The movie does not contain any action or adventure elements.
Everybody Loves Raymond is an original sitcom, not an adaptation or reboot. All characters were created for the show, establishing their gender within its own canon. There is no prior source material or historical baseline for comparison, thus no instances of a character's gender being changed from a previously established version.
Everybody Loves Raymond is an original sitcom, not an adaptation or reboot of pre-existing material. Its characters were created for this series, establishing their race within the show itself. Therefore, no character could have been race-swapped from a prior canonical depiction.
Viewer Rating Breakdown
7.1
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
7.3
6.8
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
10.0
In Trousers
(1979)
Political: Center
Diversity: Low
Leans Traditional
8.8
Ratatouille
(2007)
Political: Center
Diversity: Low
Leans Traditional
7.7
California Split
(1974)
Political: Center
Diversity: Low
Leans Traditional
7.7
Logan Lucky
(2017)
Political: Center
Diversity: Low
Leans Traditional
6.8
Pal Joey
(1957)
Political: Center
Diversity: Low
Leans Traditional
8.3
The Band Wagon
(1953)
Political: Center
Diversity: Low
Leans Traditional
7.5
Gigi
(1958)
Political: Center
Diversity: Low
Leans Traditional
7.2
The Raven
(1963)
Political: Center
Diversity: Low
Leans Traditional
7.5
That Darn Cat!
(1965)
Political: Center
Diversity: Low
Leans Traditional
6.7
The Grass Is Greener
(1960)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Great Race
(1965)
Political: Center
Diversity: Low
Leans Traditional
6.7
Man's Favorite Sport?
(1964)
Political: Center
Diversity: Low
Traditional
7.9
The Ballad of Cable Hogue
(1970)
Political: Leans Right
Diversity: Low
Leans Traditional
7.4
Meet the Parents
(2000)
Political: Center
Diversity: Low
Leans Traditional
6.8
My Dog Skip
(2000)
Political: Center
Diversity: Low
Leans Traditional
6.6
Shampoo
(1975)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
6.6
Deep in My Heart
(1954)
Political: Center
Diversity: Low
Traditional
7.7
Seven Brides for Seven Brothers
(1954)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
Real Life
(1979)
Political: Center
Diversity: Low
Leans Traditional
7.1
Sleepless in Seattle
(1993)
Political: Center
Diversity: Low