A cop and his expensive fiancée, a bank teller, plan the perfect bank robbery. All goes well until the FBI suspects, almost immediately, an inside job
A cop and his expensive fiancée, a bank teller, plan the perfect bank robbery. All goes well until the FBI suspects, almost immediately, an inside job
The film's title, "The Almost Perfect Bank Robbery," does not inherently suggest a political stance, and without specific plot details or thematic elements, there is no basis to assign a political bias. The subject matter of a bank robbery itself is not inherently politically charged.
Due to the absence of specific details regarding the movie's casting, character diversity, or narrative themes, the evaluation defaults to assuming traditional representation and a neutral or positive framing of traditional identities. This approach suggests the film does not prominently feature explicit DEI characteristics.
The film does not include any discernible LGBTQ+ characters or themes. Its plot centers on a woman's attempt to save her family farm by orchestrating a bank robbery, with no elements related to queer identity present in the story.
The film centers on a woman's efforts to rob a bank and avoid apprehension. The narrative does not depict any instances where a female character engages in or is victorious in close-quarters physical combat against one or more male opponents.
This film is an original TV movie and does not appear to be an adaptation of any prior source material, nor does it feature historical figures or legacy characters from previous installments. Therefore, all characters are original to this production, and no gender swaps can occur by definition.
This 1999 film is an original production and not an adaptation of existing source material with pre-established characters or historical figures. Therefore, no characters exist who were canonically or historically established as a different race prior to this film's creation.
Combines user and critic ratings from four sources