Being John Malkovich (1999)

The film's central exploration of identity, consciousness, and control is primarily philosophical and psychological, not explicitly political. While it touches on themes like commodification, these are presented within an absurdist narrative that avoids advocating for or against specific political ideologies.

The movie primarily features traditional casting with a predominantly white cast and does not incorporate explicit race or gender swaps. Its narrative focuses on individual character flaws and existential themes, without explicitly critiquing or negatively framing traditional identities or making DEI themes central to its plot.