This is the extraordinary tale of two brothers named Rameses II (Ralph Fiennes) and Moses (Val Kilmer), one born of royal blood, and one an orphan with a secret past. Growing up the best of friends, they share a strong b...
This is the extraordinary tale of two brothers named Rameses II (Ralph Fiennes) and Moses (Val Kilmer), one born of royal blood, and one an orphan with a secret past. Growing up the best of friends, they share a strong b...
The film's central narrative champions the liberation of an oppressed people from a tyrannical empire, aligning with progressive values of social justice and anti-authoritarianism, despite its religious framing of the solution.
The movie naturally features a diverse cast of characters, consistent with its ancient Middle Eastern setting, without engaging in explicit race-swapping of traditionally white roles. Its narrative explores themes of oppression and liberation, aligning with principles of justice and equity, but does not explicitly critique traditional identities in a modern context.
The Prince of Egypt is an animated musical retelling of the biblical story of Exodus, focusing on Moses and Rameses. The narrative centers on themes of faith, family, and freedom. There are no identifiable LGBTQ+ characters or themes depicted within the film's plot or character arcs, resulting in a 'N/A' rating for LGBTQ+ portrayal.
The film does not depict any female characters engaging in or winning direct physical combat against one or more male opponents. While Tzipporah briefly strikes Moses with a staff, it is a defensive action that does not result in her defeating him in a combat scenario.
The film faithfully adapts the biblical story of Moses, portraying all major characters—such as Moses, Ramses, Miriam, and Aaron—with the same gender as established in the Book of Exodus and historical records. No characters were depicted with a different gender than their source material.
The animated film portrays its characters, including Moses, Ramses, and others, with visual characteristics generally consistent with their historical and biblical origins in ancient Egypt and the Middle East. There are no instances where a character canonically established as one race is depicted as a different race.
Combines user and critic ratings from four sources