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Combines user and critic ratings from four sources
During the excavation of ancient Roman ruins, an old archaeology professor accidentally opens the gate between our world and the world of the dead....
During the excavation of ancient Roman ruins, an old archaeology professor accidentally opens the gate between our world and the world of the dead....
The film's philosophical and allegorical exploration of history, death, and societal stagnation offers no clear ideological solution or partisan critique, instead presenting a complex, cyclical view of the human condition and the inescapable past. Its focus is on the universal human struggle with history rather than promoting a specific political agenda.
This 1987 Yugoslavian film adheres to traditional casting practices and narrative framing typical of its era and region. It does not feature explicit DEI-driven casting or narrative critiques of traditional identities, focusing instead on its specific story without modern DEI elements.
Based on the lack of provided information about the film's content, it is not possible to evaluate its portrayal of LGBTQ+ characters or themes. Therefore, no identifiable LGBTQ+ elements are present for analysis.
The movie does not contain any action or adventure elements.
The film "The Meeting Point" is an adaptation of a play by Dušan Kovačević. Its characters are original to the play's universe, not derived from pre-existing source material or historical figures with established genders that were subsequently altered for the screen.
The film "The Meeting Point" (1989) is an original adaptation of a Yugoslav play. Its characters are fictional and were not previously established as a different race in any widely recognized canon or historical record. Therefore, no race swap occurred.
Combines user and critic ratings from four sources