Max and Page are a mother and daughter con team. Max seduces wealthy men into marrying her, then Page seduces them into infidelity so Max can rake them over the divorce court coals. And then it's on to the next victim....
Max and Page are a mother and daughter con team. Max seduces wealthy men into marrying her, then Page seduces them into infidelity so Max can rake them over the divorce court coals. And then it's on to the next victim....
The film focuses on apolitical themes of personal relationships, friendship, and individual emotional growth, offering no clear ideological stance or solution to its characters' dilemmas.
The film features a predominantly white main cast without explicit DEI-driven casting choices or race/gender swaps of traditional roles. Its narrative centers on a con artist plot, portraying characters based on their individual traits and roles within the story, rather than offering a critical perspective on traditional identities or incorporating explicit DEI themes.
Heartbreakers (1984) does not feature any identifiable LGBTQ+ characters or themes. The plot centers entirely on heterosexual relationships and male friendships, resulting in no portrayal of queer identity.
The movie does not contain any action or adventure elements.
Heartbreakers (2001) is an original film with no pre-existing source material, historical figures, or legacy characters. All characters were created for this specific movie, thus precluding any gender swaps from prior established canon.
Heartbreakers (2001) is an original film with characters created specifically for this production. There is no prior source material, historical figures, or established canon from which characters' races could have been altered. Therefore, no race swaps occurred.
Combines user and critic ratings from four sources