
Not Rated
Boarding school friends Edith and Yvonne's intimate friendship is put to the test by fate in this tragic love triangle. Their paths diverge when Edith's father dies and she has to move back home to her mother. Years pass, Edith marries a handsome officer, while Yvonne pursues an artistic career. Time and again she declines Edith's invitations to come and live with her and her officer, Kai Hornung. When she finally comes to rest for a few weeks, sparks fly between Yvonne and Kai – and the drama ends with bloodshed. (Stumfilm.dk).
Boarding school friends Edith and Yvonne's intimate friendship is put to the test by fate in this tragic love triangle. Their paths diverge when Edith's father dies and she has to move back home to her mother. Years pass, Edith marries a handsome officer, while Yvonne pursues an artistic career. Time and again she declines Edith's invitations to come and live with her and her officer, Kai Hornung. When she finally comes to rest for a few weeks, sparks fly between Yvonne and Kai – and the drama ends with bloodshed. (Stumfilm.dk).
The film is a period comedy of manners that satirizes social conventions and individual behavior, particularly regarding marriage and status, without explicitly promoting a specific political ideology or advocating for systemic change.
This 1916 Danish silent film features traditional casting consistent with its historical period, without any explicit race or gender swaps. Its narrative maintains a neutral or positive portrayal of traditional identities, reflecting the societal norms of its time.
The 1916 film 'Love and Friendship' by Eduard Schnedler-Sørensen does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on conventional romantic relationships and societal interactions typical of its era, leading to a determination of N/A for LGBTQ+ portrayal.
The movie does not contain any action or adventure elements.
The 1912 film "Love and Friendship" is an original Danish silent film, not an adaptation of a work with pre-existing characters. Therefore, there are no established characters from source material or history whose gender could have been altered.
This 1912 Danish silent film is not an adaptation of a work with racially defined characters, nor does it depict historical figures whose race was altered. There is no evidence of any character being canonically established as one race and then portrayed as another.