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This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized. He is identified by the number 9413 written on his forehead.
This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized. He is identified by the number 9413 written on his forehead.
The film's central thesis explicitly critiques the dehumanizing and exploitative nature of the Hollywood studio system, portraying the individual as a disposable commodity within a powerful, indifferent industry, which aligns with progressive systemic critiques.
This 1928 avant-garde silent film features traditional casting typical of its era, with no intentional diversity-driven choices. Its narrative focuses on a critique of the Hollywood system's dehumanizing effects rather than engaging with modern DEI themes or offering a critical portrayal of traditional identities.
The film, an experimental silent satire from 1928, critiques the Hollywood system through the story of an aspiring actor. Its narrative and themes are entirely focused on the protagonist's journey and the industry's impact, with no identifiable LGBTQ+ characters or themes present in the story.
The movie does not contain any action or adventure elements.
This 1928 film is an original story, not an adaptation of pre-existing material or a biopic. All characters were created for this specific film, meaning there are no prior established canonical or historical genders to be swapped.
This 1928 film is an original, experimental silent movie. It does not adapt characters from prior source material, historical records, or previous installments, meaning there are no pre-established racial identities to be altered.
Combines user and critic ratings from four sources