Set in the 22nd century, when a battered salvage ship sends out a distress signal, the seasoned crew of the rescue hospital ship Nova-17 responds. What they find is a black hole--that threatens to destroy both ships--and a mysterious survivor whose body quickly mutates into a monstrous and deadly form.
Set in the 22nd century, when a battered salvage ship sends out a distress signal, the seasoned crew of the rescue hospital ship Nova-17 responds. What they find is a black hole--that threatens to destroy both ships--and a mysterious survivor whose body quickly mutates into a monstrous and deadly form.
The film's core conflict centers on sci-fi survival against a dangerous alien artifact and a deranged antagonist, with themes of unchecked ambition and the misuse of technology. These elements are largely apolitical, focusing on individual and team efforts to overcome an immediate existential threat rather than promoting a specific political ideology or systemic critique.
The movie features a visibly diverse cast in key roles, including Black and other minority actors. However, the narrative itself does not explicitly engage with or critique traditional identities, nor does it center DEI themes within its core plot or character development.
The film Supernova (1999) does not include any explicit LGBTQ+ characters or themes. Its narrative centers on a medical rescue vessel encountering a dangerous alien artifact, with no direct portrayal or discussion of queer identity.
The movie does not contain any action or adventure elements.
Supernova (2000) is an original science fiction film. Its characters were created for this specific movie and do not have prior canonical, historical, or widely established genders from source material or previous installments to be swapped from.
Supernova (2000) is an original science fiction film with characters created specifically for this production. There is no prior source material, historical figures, or legacy characters whose race could have been established and subsequently changed.
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