The year is 1949. A young Texan named John Grady finds himself without a home after his mother sells the ranch where he has spent his entire life. Lured south of the border by the romance of cowboy life and the promise of a fresh start, Cole and his pal embark on an adventure that will test their resilience, define their maturity, and change their lives forever.
The year is 1949. A young Texan named John Grady finds himself without a home after his mother sells the ranch where he has spent his entire life. Lured south of the border by the romance of cowboy life and the promise of a fresh start, Cole and his pal embark on an adventure that will test their resilience, define their maturity, and change their lives forever.
The film's narrative champions individual resilience and a personal code of honor in the face of a changing world and corrupt systems, reflecting a nostalgic view of traditional values and self-reliance.
The movie features traditional casting with white male protagonists, consistent with its Western genre and historical setting. The narrative focuses on their personal journey without explicitly critiquing traditional identities or centering DEI themes.
The film 'All the Pretty Horses' does not include any discernible LGBTQ+ characters or themes. Its narrative primarily focuses on the experiences of young cowboys in Mexico and their heterosexual relationships, thus rendering the portrayal of LGBTQ+ elements as N/A.
The movie does not contain any action or adventure elements.
The film "All the Pretty Horses" is an adaptation of Cormac McCarthy's novel. All main characters, including John Grady Cole, Lacey Rawlins, and Alejandra de Rocas y Villarreal, retain their original genders as established in the source material.
The film adapts Cormac McCarthy's novel, featuring characters primarily established as white American or white/mestizo Mexican. The casting choices for the film align with these racial backgrounds, with no instances of a character's race being changed from the source material.
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