Once called "Father Frank" for his efforts to rescue lives, Frank Pierce sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn't help, yet cannot quit the job on his own.
Once called "Father Frank" for his efforts to rescue lives, Frank Pierce sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn't help, yet cannot quit the job on his own.
The film is a character study of a paramedic's psychological breakdown in a chaotic urban environment, focusing on his personal struggle with guilt and the search for peace rather than offering a political critique or solution to societal problems, thus remaining neutral.
The movie features visible diversity in its supporting cast, reflecting the urban setting, but does not engage in explicit race or gender swaps of traditionally white roles. The narrative centers on a white male protagonist and does not critically portray traditional identities or explicitly focus on DEI themes.
The character Cy Coates, described as Black in Joe Connelly's source novel, is portrayed by Cliff Curtis, an actor of Māori descent, in the film adaptation. This constitutes a race swap.
Bringing Out the Dead does not feature any identifiable LGBTQ+ characters or themes. The narrative is solely centered on the protagonist's mental state and his experiences as a paramedic, with no elements related to queer identity or issues.
The movie does not contain any action or adventure elements.
The film "Bringing Out the Dead" is an adaptation of Joe Connelly's novel. All major characters in the film retain the same gender as their counterparts in the source material, with no instances of a character's established gender being changed.
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