After a car crash sends repressed cartoonist Stu into a coma, he and the mischievous Monkeybone, his hilarious alter-ego, wake up in a wacked-out waystation for lost souls. When Monkeybone takes over Stu's body and escapes to wreak havoc on the real world, Stu has to find a way to stop him before his sister pulls the plug on reality forever!
After a car crash sends repressed cartoonist Stu into a coma, he and the mischievous Monkeybone, his hilarious alter-ego, wake up in a wacked-out waystation for lost souls. When Monkeybone takes over Stu's body and escapes to wreak havoc on the real world, Stu has to find a way to stop him before his sister pulls the plug on reality forever!
The film's core conflict, centered on an artist's struggle for creative control and personal identity, is inherently apolitical, and its narrative champions an individualistic solution to personal and artistic challenges rather than promoting any specific political ideology.
The movie features a predominantly white human cast, with diversity present in the voice roles for non-human characters. The narrative centers on a white male protagonist's fantastical journey and does not explicitly critique traditional identities or incorporate strong DEI themes.
The film "Monkeybone" does not feature any identifiable LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate, resulting in a net impact rating of N/A.
The film does not feature any female characters engaging in direct physical combat against male opponents. Female characters present are either not involved in action sequences or do not achieve victories in close-quarters physical contests against men.
Monkeybone is an adaptation of the graphic novel "Dark Town." All major characters in the film retain the same gender as established in the original source material. There are no instances of a character canonically established as one gender being portrayed on screen as a different gender.
Monkeybone is an adaptation of the graphic novel "Dark Town." Analysis of the main characters and mythological figures in the film against their source material or established lore reveals no instances where a character's canonically or widely established race was changed for the screen.
Combines user and critic ratings from four sources