Leans Traditional
7.7
Chupke Chupke
(1975)
Political: Center
Diversity: Low
Post Mortem (1980)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
In 1908, some Albanian pseudo-patriots form a club, claiming that they are working for the good of Albania. Each of them has a dream: to be famous and immortal. One of them is Dr. Adhamudhi, a self-proclaimed healer and linguist, who has created a new Albanian alphabet he is waiting to sell to Skëndo Bey, owner of the Thessaloniki Club. Thinking highly of himself, Adhamudhi wants to know what will people say about him after his death. Zeneli, the servant of Skëndo Bey, takes this chance and plays a joke on Adhamudhi's exhausting desire for fame and immortality.
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Moderate
Christianity: Negative
Overview
In 1908, some Albanian pseudo-patriots form a club, claiming that they are working for the good of Albania. Each of them has a dream: to be famous and immortal. One of them is Dr. Adhamudhi, a self-proclaimed healer and linguist, who has created a new Albanian alphabet he is waiting to sell to Skëndo Bey, owner of the Thessaloniki Club. Thinking highly of himself, Adhamudhi wants to know what will people say about him after his death. Zeneli, the servant of Skëndo Bey, takes this chance and plays a joke on Adhamudhi's exhausting desire for fame and immortality.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's rating is +1 because its central critique targets a totalitarian communist state's control over history and individual memory, aligning with conservative skepticism of government overreach and the defense of individual truth against ideological imposition.
Given the lack of specific details about the movie 'Post Mortem,' this evaluation assumes a neutral position regarding its DEI characteristics. This approach suggests the film likely features visible diversity in its cast without explicit re-casting of traditional roles, and its narrative does not explicitly center on or critique traditional identities, indicating a moderate presence of DEI.
Secondary
Produced in officially atheist Albania, the film likely portrays traditional "superstitions" (implicitly understood as remnants of Christian beliefs) as irrational and an impediment to truth, contrasting them with the protagonist's scientific approach.
Based on the available information, the film 'Post Mortem' does not feature any identifiable LGBTQ+ characters or themes. Consequently, its portrayal of LGBTQ+ elements is determined to be N/A.
The movie does not contain any action or adventure elements.
There is no information provided to suggest that "Post Mortem" (1980) is an adaptation of existing material or features characters with previously established genders. Therefore, no gender swaps can be identified.
The film "Post Mortem" (1980) is an original Albanian production, not an adaptation of existing material with pre-established character races, nor does it feature historical figures. Therefore, there is no basis for a race swap as defined.
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