Viewer Rating
Combines user and critic ratings from four sources
Alina is a brilliant and enterprising woman who runs a successful art gallery in Palermo. Her husband Daniele, a successful orchestra conductor, cultured and intelligent, is not a regular presence. One day, while accompanying Daniele to the airport, Alina feels a sense of emptiness. She will try to fill it with a butcher who is always joking and full of erotic allusions and who arouses a strong attraction in her.
Alina is a brilliant and enterprising woman who runs a successful art gallery in Palermo. Her husband Daniele, a successful orchestra conductor, cultured and intelligent, is not a regular presence. One day, while accompanying Daniele to the airport, Alina feels a sense of emptiness. She will try to fill it with a butcher who is always joking and full of erotic allusions and who arouses a strong attraction in her.
The film's central subject matter, an erotic thriller exploring individual desire, infidelity, and obsession, lacks an inherent political valence. The narrative primarily examines human nature and individual choices without promoting a specific political ideology or offering a politically charged solution.
The movie features traditional casting consistent with its genre and origin, without intentional race or gender swaps. Its narrative focuses on an erotic thriller plot, not incorporating explicit critiques of traditional identities or central DEI themes.
The film 'The Butcher' by Aurelio Grimaldi does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on a heterosexual relationship, leaving no content to assess for LGBTQ+ representation or impact.
The movie does not contain any action or adventure elements.
The Butcher (1998) is an original film and not an adaptation of existing source material with pre-established characters. Therefore, no characters exist whose canonical gender could have been altered.
The film "The Butcher" (1998) is an original production with no indicated prior source material, historical figures, or previous adaptations. Therefore, there are no characters with a pre-established canonical or historical race to be subject to a race swap.
Combines user and critic ratings from four sources