6.5
Viewer Rating
Combines user and critic ratings from four sources
Terminator 3: Rise of the Machines (2003)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 6.5
Overview
It's been 10 years since John Connor saved Earth from Judgment Day, and he's now living under the radar, steering clear of using anything Skynet can trace. That is, until he encounters T-X, a robotic assassin ordered to finish what T-1000 started. Good thing Connor's former nemesis, the Terminator, is back to aid the now-adult Connor … just like he promised.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
It's been 10 years since John Connor saved Earth from Judgment Day, and he's now living under the radar, steering clear of using anything Skynet can trace. That is, until he encounters T-X, a robotic assassin ordered to finish what T-1000 started. Good thing Connor's former nemesis, the Terminator, is back to aid the now-adult Connor … just like he promised.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film primarily explores apolitical themes of fate, leadership, and humanity's struggle for survival against an inevitable technological catastrophe, rather than promoting specific political ideologies.
The film features a predominantly white main cast without any explicit race or gender swaps of traditionally white roles. Its narrative focuses on a standard action-sci-fi plot, offering no critical portrayal of traditional identities or explicit integration of DEI themes.
Secondary
Terminator 3: Rise of the Machines does not feature any discernible LGBTQ+ characters or themes. The film's plot is entirely centered on the conflict between humans and machines, with no elements related to queer identity or experiences.
The film features the T-X, a female-coded advanced Terminator, who engages in combat with male opponents. However, her victories are consistently achieved through her advanced technological capabilities, superhuman strength, and built-in weaponry, which falls outside the criteria for physical combat victories based on skill or martial arts.
The film introduces new characters like the T-X, a female-coded Terminator, but this is an original character, not a gender-swapped version of an existing one. All returning legacy characters maintain their established genders.
All major and legacy characters in Terminator 3: Rise of the Machines maintain the same race as established in previous installments or source material. New characters introduced in this film do not constitute a race swap.
Viewer Rating Breakdown
User Ratings
6.3
6.2
Critic Ratings
7.0
6.6
More Like This
Leans Traditional
8.5
The Terminator
(1984)
Political: Center
Diversity: Low
Traditional
6.9
True Lies
(1994)
Political: Leans Right
Diversity: Low
Leans Traditional
8.0
Looper
(2012)
Political: Center
Diversity: Low
Leans Traditional
6.9
Darkman
(1990)
Political: Center
Diversity: Low
Center
7.7
Serenity
(2005)
Political: Leans Right
Diversity: Moderate
LGBTQ: Neutral
Female Combat: Yes
Leans Traditional
8.1
In the Bedroom
(2001)
Political: Center
Diversity: Low
Traditional
6.5
U-571
(2000)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
Independence Day
(1996)
Political: Leans Right
Diversity: Moderate
Traditional
7.6
The War of the Worlds
(1953)
Political: Leans Right
Diversity: Low
Leans Traditional
7.4
Lethal Weapon
(1987)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.5
The Foreigner
(2017)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.7
Spider-Man
(2002)
Political: Center
Diversity: Low
Leans Traditional
6.7
The Adjustment Bureau
(2011)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.8
The Matador
(2005)
Political: Center
Diversity: Low
LGBTQ: Neutral
Center
8.0
The Most Dangerous Game
(1932)
Political: Center
Diversity: Low
Leans Traditional
7.1
Innerspace
(1987)
Political: Center
Diversity: Low
Leans Traditional
6.7
Crawl
(2019)
Political: Center
Diversity: Low
Traditional
6.9
Die Hard 2
(1990)
Political: Leans Right
Diversity: Low
Leans Traditional
7.2
The Count of Monte Cristo
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.7
Superman II
(1980)
Political: Center
Diversity: Low