Me, Myself & Irene (2000)

The film's central subject matter of an individual's struggle with a comedic portrayal of Dissociative Identity Disorder and its resolution through self-acceptance and personal relationships is largely apolitical, avoiding explicit promotion of either progressive or conservative ideologies.

The movie features visible diversity through the prominent roles of the protagonist's three adopted Black sons. However, these roles are not explicit race-swaps of traditionally white characters. The narrative maintains a neutral to positive framing of traditional identities, focusing on the protagonist's mental health rather than critiquing his race or gender.