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A free-spirited, guileless and amoral young woman, who works as a maid in the home of one of the most prominent and influential families in France was discovered in her bedroom, naked and unconscious, with the body of he...
A free-spirited, guileless and amoral young woman, who works as a maid in the home of one of the most prominent and influential families in France was discovered in her bedroom, naked and unconscious, with the body of he...
Based on the director's known work within the Soviet film industry, this film is presumed to subtly promote collective values and state-approved social conduct, aligning with a left-leaning perspective in that historical context.
This film, typical of Soviet cinema from its era, features a predominantly traditional cast without explicit DEI-driven race or gender swaps. Its narrative does not engage in critical portrayals of traditional identities, instead maintaining a neutral or positive framing consistent with its historical and cultural context.
Due to the absence of information regarding LGBTQ+ characters or themes in the provided input for 'Dura', a comprehensive evaluation of its portrayal is not possible. Therefore, the film is categorized as N/A.
The movie does not contain any action or adventure elements.
The film "Dura" (1991) is an adaptation of Marcel Achard's play "Patate." An analysis of the main characters in both the source play and the film confirms that no character's established gender was altered in the screen adaptation.
The film "Dura" (1991) is a Soviet adaptation of a French play. The original characters would be implicitly European, and the cast consists of European actors. There is no evidence of any character whose race was canonically established as one race being portrayed as a different race.
Combines user and critic ratings from four sources