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Combines user and critic ratings from four sources
One spring, Yogi Bear and Boo Boo Bear awake from hibernation to discover three orphaned bear cubs left at the front door of their cave. Despite their initial reservations, Yogi and Boo Boo take the bear cubs into their home and take care of them. Meanwhile, Jellystone Park has gone over budget and the park commissioner orders Ranger Smith to close it down. This means that Yogi, along with the other bears at the park, must be sent to a zoo. Because Yogi can't stand the thought of being cooped up in a zoo for the rest of his life, he hatches an elaborate escape plan. Salvaging car parts from a failed fishing expedition, he constructs a getaway "Supercar," complete with a picnic basket rumble seat for the three orphaned cubs. Together they make their escape from the park to find a new home.
One spring, Yogi Bear and Boo Boo Bear awake from hibernation to discover three orphaned bear cubs left at the front door of their cave. Despite their initial reservations, Yogi and Boo Boo take the bear cubs into their home and take care of them. Meanwhile, Jellystone Park has gone over budget and the park commissioner orders Ranger Smith to close it down. This means that Yogi, along with the other bears at the park, must be sent to a zoo. Because Yogi can't stand the thought of being cooped up in a zoo for the rest of his life, he hatches an elaborate escape plan. Salvaging car parts from a failed fishing expedition, he constructs a getaway "Supercar," complete with a picnic basket rumble seat for the three orphaned cubs. Together they make their escape from the park to find a new home.
The film's central conflict, focusing on a bear's desire for individual liberty and evasion of authority, presents broad and apolitical themes common in children's entertainment, thus not aligning strongly with either progressive or conservative ideologies.
This animated film features established characters, primarily anthropomorphic animals and traditionally depicted human roles, without intentional race or gender swaps. The narrative focuses on an adventure plot and does not include critical portrayals of traditional identities or explicit DEI themes.
Yogi's Great Escape is an animated family film from 1987. The narrative focuses on Yogi Bear and his friends' adventures, consistent with its genre and era. It does not feature any identifiable LGBTQ+ characters or themes, resulting in no portrayal to evaluate.
The animated film primarily features comedic chases and escapes. No female characters are depicted engaging in or winning close-quarters physical combat against male opponents.
All established Hanna-Barbera characters in "Yogi's Great Escape" retain their canonical genders from previous installments. No characters originally established as one gender are portrayed as a different gender in this film.
The film features established animated characters, primarily anthropomorphic animals and one human character, Ranger Smith. Ranger Smith's portrayal in the film is consistent with his long-established depiction as white, and the animal characters do not have a human race to swap.
Combines user and critic ratings from four sources