0.7
Viewer Rating
Combines user and critic ratings from four sources
Blood of the Undead: The Final Chapter (1987)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 0.7
Overview
Four young boys enter an abandoned house with blood-spattered walls, accidentally let a zombie out of the basement and then it starts killing them off; mostly with a chainsaw.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
Four young boys enter an abandoned house with blood-spattered walls, accidentally let a zombie out of the basement and then it starts killing them off; mostly with a chainsaw.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central premise of an undead apocalypse is inherently apolitical, focusing on universal themes of survival and horror. Without specific narrative details, there is no clear evidence of the film promoting or critiquing any particular political ideology.
The movie's casting appears to follow traditional patterns without explicit DEI-driven choices or intentional race or gender swaps. Its narrative focuses on horror elements, not on critiquing traditional identities or making DEI themes central to the story.
Secondary
The film utilizes Christian iconography, such as crosses and holy water, as functional tools in the fight against the undead. This portrayal grants these symbols a positive, albeit superficial, efficacy against the film's supernatural evil.
The provided information for 'Blood of the Undead: The Final Chapter' does not contain any details regarding the presence of LGBTQ+ characters or themes. Consequently, an assessment of its portrayal is not applicable, as there is no content to evaluate.
The movie does not contain any action or adventure elements.
This 1987 film is an original horror production by Todd Sheets. There is no evidence of prior source material, established legacy characters, or historical figures whose gender could have been altered for this movie.
This film is an original, independent horror production from 1987, not an adaptation of pre-existing source material, a biopic, or a reboot of widely established legacy characters. Therefore, the concept of a 'race swap' as defined does not apply.
Viewer Rating Breakdown
User Ratings
1.3
N/A
Critic Ratings
N/A
N/A
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