
Not Rated
During the French and Indian War, Col. Munro’s daughters journeying to Fort William Henry are betrayed by guide Magua. Hawkeye and Mohicans rescue them, but Hurons capture Cora. Uncas dies saving her; Hawkeye avenges him, symbolizing the Mohicans’ demise.
During the French and Indian War, Col. Munro’s daughters journeying to Fort William Henry are betrayed by guide Magua. Hawkeye and Mohicans rescue them, but Hurons capture Cora. Uncas dies saving her; Hawkeye avenges him, symbolizing the Mohicans’ demise.
The film's dominant themes align with progressive values by critiquing the destructive impact of colonialism on indigenous cultures and celebrating their connection to nature, despite focusing on individual acts of heroism for survival.
The 1920 film 'The Last of the Mohicans' reflects the traditional casting practices of its era, without intentional DEI-driven casting or explicit recasting of roles. The narrative maintains a neutral to positive portrayal of traditional identities, without explicit critique of white or male characters.
The film portrays several canonically Native American characters, including Chingachgook, Uncas, and Magua, with white actors. This constitutes a race swap according to the provided definition.
The 1920 film "The Last of the Mohicans" does not include any discernible LGBTQ+ characters or themes. Its historical adventure plot focuses on heterosexual relationships and survival during the French and Indian War, leading to a net impact rating of N/A for LGBTQ+ portrayal.
The movie does not contain any action or adventure elements.
The 1911 film adaptation of James Fenimore Cooper's novel "The Last of the Mohicans" portrays all major characters, such as Hawkeye, Uncas, Cora, and Alice, with their original canonical genders as established in the source material. No character's gender was altered.