In the not-so-far future the polar ice caps have melted and the resulting rise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advanc...
In the not-so-far future the polar ice caps have melted and the resulting rise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advanc...
The film leans left due to its dominant themes, which include a strong critique of human exploitation and cruelty towards sentient artificial intelligence, the depiction of environmental degradation, and an underlying anti-consumerist message regarding the commodification of life.
The movie features a largely traditional cast without explicit race or gender swaps of established roles. Its narrative explores themes of artificial intelligence and humanity's nature, but does not explicitly critique or negatively frame traditional identities, nor does it center on explicit DEI themes.
A.I. Artificial Intelligence does not include any discernible LGBTQ+ characters, relationships, or themes. The narrative focuses on artificial intelligence, humanity, and the search for love and acceptance, without incorporating queer identities or experiences.
The film does not feature any female characters engaging in direct physical combat. The narrative focuses on a robot child's quest, and female characters, both human and robot, are not depicted in combat roles or defeating male opponents.
The film is an adaptation of a short story, and all major characters whose gender was established in the source material maintain that gender in the film. No characters canonically established as one gender are portrayed as a different gender.
The film is an adaptation of a short story where character races were not explicitly defined or visually established in a way that would allow for a race swap. All major characters' portrayals align with the source material's ambiguity.
Combines user and critic ratings from four sources