Traditional
6.7
Pukar
(2000)
Political: Strong Right
Diversity: Low
Veer Babruwahan (1934)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
In this mythological tale, Babruwahan, son of Arjuna, returns from the Mahabharata war. He defiantly stops a horse from his father's army, leading to a battle in which he beheads Arjuna. As he prepares to commit suicide, Krishna appears, instructing him to retrieve the magical Sanjivani Mani from the land of the serpents to revive his father. This quest pits him against Ullupi, the serpent king's daughter and a former wife of Arjuna. When she surrenders the Mani but takes Arjuna's head instead, Krishna is forced to intervene to resolve the situation.
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Low
Hinduism: Positive
Overview
In this mythological tale, Babruwahan, son of Arjuna, returns from the Mahabharata war. He defiantly stops a horse from his father's army, leading to a battle in which he beheads Arjuna. As he prepares to commit suicide, Krishna appears, instructing him to retrieve the magical Sanjivani Mani from the land of the serpents to revive his father. This quest pits him against Ullupi, the serpent king's daughter and a former wife of Arjuna. When she surrenders the Mani but takes Arjuna's head instead, Krishna is forced to intervene to resolve the situation.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's mythological narrative, centered on themes of duty, tradition, and individual responsibility within a pre-established moral order, aligns with conservative values rather than promoting systemic critique or progressive change.
The movie features casting that aligns with traditional cultural norms for its setting and genre, without incorporating explicit diversity initiatives or race/gender swaps of established roles. The narrative maintains a neutral or positive portrayal of traditional identities, without engaging in critical commentary on such themes.
Secondary
As a mythological film based on the Hindu epic Mahabharata, the narrative reverently portrays Hindu deities, values, and stories. The film aligns with and affirms the virtues and dignity of the Hindu faith.
Based on the information provided, the film 'Veer Babruwahan' does not contain identifiable LGBTQ+ characters or themes. Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
The movie does not contain any action or adventure elements.
The film is based on the mythological character Babruvahana from the Mahabharata, who is canonically male. There is no evidence or historical record to suggest that any established character from the source material was portrayed as a different gender in this 1934 adaptation.
The film "Veer Babruwahan" (1934) is an Indian production based on characters from the ancient Indian epic, the Mahabharata. The main characters are portrayed by Indian actors, aligning with their canonical and historical racial background.
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