Viewer Rating
Combines user and critic ratings from four sources
Surrender Cinema has been known for their extremely erotic, almost explicit sci-fi films. While they generally do very well at these (Femalien 1 & 2, Virtual Encounters), this particular entry seems to be just a rehash of old tape. Any number of girls -- some recognizable and others not -- are in this film in all stages of nudity. There are also several clips from other films which are outstanding, unless you've seen those other films. There are a number of solo nude scenes doing a number of things -- some playing basketball, others talking, still others playing with themselves. The only thing of value in this tape is the very last scene -- a short but erotic girl-girl scene with a very enthusiastic and enjoyable Sandy Wasko and a more subdued Tammie Hainum.
Surrender Cinema has been known for their extremely erotic, almost explicit sci-fi films. While they generally do very well at these (Femalien 1 & 2, Virtual Encounters), this particular entry seems to be just a rehash of old tape. Any number of girls -- some recognizable and others not -- are in this film in all stages of nudity. There are also several clips from other films which are outstanding, unless you've seen those other films. There are a number of solo nude scenes doing a number of things -- some playing basketball, others talking, still others playing with themselves. The only thing of value in this tape is the very last scene -- a short but erotic girl-girl scene with a very enthusiastic and enjoyable Sandy Wasko and a more subdued Tammie Hainum.
Without specific plot details or thematic content, an objective assessment of the film's political bias is not possible, leading to a default neutral rating.
Based on the available information, the movie's casting and narrative framing are assessed as neutral. There is no indication of explicit DEI-driven casting or intentional critiques of traditional identities within the narrative, leading to an overall evaluation that suggests a light presence of DEI characteristics.
A Buddhist character's meditative practice is depicted as leading to a beautiful and transcendent performance, subtly affirming the spiritual depth of their path even when dismissed by a skeptical character.
The film portrays a televangelist character as deeply hypocritical and manipulative, using their professed faith for personal gain. The narrative satirizes the misuse of religious authority and the perceived flaws within organized religion, without offering a significant counterbalancing positive depiction.
The film 'Auditions from Beyond' does not include any identifiable LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate, resulting in a net impact rating of N/A.
The movie does not contain any action or adventure elements.
Auditions from Beyond (1999) is an original film production. There is no evidence of it being an adaptation of existing source material, featuring historical figures, or including legacy characters from a prior installment. Therefore, no characters exist whose gender could have been canonically or historically established and subsequently swapped.
There is no widely recognized source material or historical context for "Auditions from Beyond" (1999) that establishes canonical racial identities for its characters prior to this film. Therefore, no character could have been race-swapped.
Combines user and critic ratings from four sources