4.1
Viewer Rating
Combines user and critic ratings from four sources
Le Comte Ory (1997)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 4.1
Overview
Glyndebourne's intimate opera house provides the perfect setting for Rossini's third French opera, a sparkling medieval comedy of lust and chastity.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Negative
Overview
Glyndebourne's intimate opera house provides the perfect setting for Rossini's third French opera, a sparkling medieval comedy of lust and chastity.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
This production of "Le Comte Ory" is rated 0 because its central themes revolve around apolitical human foibles, comedic deception, and farcical situations, rather than promoting any specific political ideology or social critique.
This production of the 19th-century comic opera 'Le Comte Ory' is presumed to feature traditional casting without explicit race or gender swaps. The narrative, a comedic farce, does not offer a modern DEI critique of traditional identities, focusing instead on romantic deception and humor.
Secondary
The film satirizes human hypocrisy and lust by depicting characters who exploit Christian religious roles (hermit, nun) for deceptive and immoral purposes. Count Ory and his men, disguised as pious figures, are portrayed as fundamentally hypocritical and foolish, using the forms of faith to pursue their carnal desires without any counterbalancing positive portrayal of the religion itself.
Le Comte Ory, an opera film, does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on traditional heterosexual romantic comedy and deception, with no elements suggesting queer identity or relationships, thus resulting in no depiction.
The movie does not contain any action or adventure elements.
The film is an adaptation of Rossini's opera, which features the traditional operatic 'pants role' of Isolier, a male character typically sung by a female mezzo-soprano. This casting convention does not alter the character's canonical gender within the narrative, thus it is not considered a gender swap.
Le Comte Ory is a 1997 filmed production of Rossini's 1828 French opera. The characters, originally set in medieval France, are implicitly white. The cast for this production consists of white actors, aligning with the historical and canonical context of the source material.
Viewer Rating Breakdown
User Ratings
8.1
N/A
Critic Ratings
N/A
N/A
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