From the opening shot of a Jurassic Park-esque reptilian eye, you know you are in for a wild ride. As Mick "Crocodile" Dundee sits in a canoe sharpening his famous knife, a monstrous croc hides somewhere in the deep. The...
From the opening shot of a Jurassic Park-esque reptilian eye, you know you are in for a wild ride. As Mick "Crocodile" Dundee sits in a canoe sharpening his famous knife, a monstrous croc hides somewhere in the deep. The...
The film is primarily an apolitical comedy-adventure focused on a cultural clash and a crime plot, with its central conflict lacking inherent political valence and not explicitly promoting any specific ideology.
The film features a predominantly traditional cast without explicit DEI-driven casting or race/gender swaps. Its narrative maintains a neutral to positive portrayal of traditional identities, with no central or explicit DEI themes.
Crocodile Dundee in Los Angeles does not feature any identifiable LGBTQ+ characters or themes. The film's plot and character arcs are entirely devoid of queer representation, resulting in a net impact of N/A.
The film does not feature any female characters engaging in or winning close-quarters physical combat against one or more male opponents. The primary female character, Sue Charlton, is not portrayed as a combatant.
This film is a direct sequel where all established characters, such as Mick Dundee and Sue Charlton, maintain their original genders as portrayed in previous installments. No legacy characters from prior canon or source material have their gender changed.
No established characters from previous installments or source material were portrayed by actors of a different race in this film. All key returning characters maintained their original racial portrayal.
Combines user and critic ratings from four sources