Leans Traditional
7.2
Anmol Ghadi
(1946)
Political: Center
Diversity: Low
Jagirdar (1937)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
The follow-up to Manmohan (1936) again starred Surendra and Bibbo. She is Neela, he plays Jagirdar Surendra. They secretly marry and have a child. When Jagirdar is presumed dead in a shipwreck, the child is considered illegitimate. The poor peasant Shripat (Pande) helps Neela by marrying her and raising her son Ramesh (Motilal). The husband eventually returns and violently quarrels with Shripat about who ‘owns’ Neela. When the villain Banwarilal kills Shripat, the husband is framed for the killing. The real problem, however, is the son’s rejection of his father, solved when together they face the gangsters in Narayanlal’s (Yakub) den.
Starring Cast
Bias Dimensions
Political: Leans Left
Diversity: Low
Overview
The follow-up to Manmohan (1936) again starred Surendra and Bibbo. She is Neela, he plays Jagirdar Surendra. They secretly marry and have a child. When Jagirdar is presumed dead in a shipwreck, the child is considered illegitimate. The poor peasant Shripat (Pande) helps Neela by marrying her and raising her son Ramesh (Motilal). The husband eventually returns and violently quarrels with Shripat about who ‘owns’ Neela. When the villain Banwarilal kills Shripat, the husband is framed for the killing. The real problem, however, is the son’s rejection of his father, solved when together they face the gangsters in Narayanlal’s (Yakub) den.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject matter, the critique of the feudal Jagirdar system and its inherent power imbalances, aligns with progressive values of social justice and anti-exploitation, leading to a left-leaning rating.
This 1937 Indian film features casting typical for its era and cultural context, without explicit DEI-driven choices or race/gender swaps of traditionally white roles. The narrative does not present a critical portrayal of traditional identities or strong, explicit DEI themes.
Secondary
The film 'Jagirdar' (1937) by Mehboob Khan is a social drama that does not include any discernible LGBTQ+ characters or themes. Its narrative focuses on traditional family dynamics and societal issues prevalent during its release era, without engaging with queer identity or experiences.
The movie does not contain any action or adventure elements.
The film "Jagirdar" (1937) is an original production with no widely recognized prior source material, historical figures, or legacy characters. Consequently, there are no established characters whose gender could have been altered from a previous canon.
Jagirdar (1937) is an early Indian film. There is no evidence of prior source material, historical figures, or earlier adaptations that established characters of a different race than those portrayed in the film, making a race swap unlikely.
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