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After returning from the USSR, Tulyev was subjected to rigorous verification of his former "owners". He continues his work in Western intelligence, but already as a Soviet intelligence officer through the First Main Dire...
After returning from the USSR, Tulyev was subjected to rigorous verification of his former "owners". He continues his work in Western intelligence, but already as a Soviet intelligence officer through the First Main Dire...
The film explicitly promotes Soviet state ideology by glorifying a Soviet intelligence agent's struggle against Western powers, thereby championing an anti-capitalist and anti-Western stance.
This 1982 Soviet spy film features traditional casting reflective of its time and region, without any intentional race or gender swaps. Its narrative focuses on themes typical of the genre, presenting traditional identities neutrally or positively, and does not incorporate any explicit DEI critiques.
This Soviet spy thriller, a continuation of the 'Resident' series, focuses on Cold War espionage and counter-intelligence. There are no identifiable LGBTQ+ characters or themes present in the narrative, aligning with the typical content and social norms of Soviet cinema from that era.
The movie does not contain any action or adventure elements.
This film is a direct sequel within an established series. All major and recurring characters maintain their previously established genders from earlier installments, with no instances of a character being portrayed as a different gender.
This Soviet spy film is a sequel in a series featuring established characters, all of whom are consistently portrayed by actors of the same race as in previous installments. No characters established as one race are depicted as a different race.
Combines user and critic ratings from four sources