Traditional
7.1
Tanhaji: The Unsung Warrior
(2020)
Political: Strong Right
Diversity: Moderate
Shahenshah Babar (1944)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Following his conquest of India, Emperor Babar faces a crisis of loyalty among his troops and nobles. His most devoted subject, Sardar Sheikh, faces a dilemma when his daughter, Hamida, falls in love with Prince Humayun. Sheikh sends Hamida away, prompting Babar to intervene. However, a great sacrifice is ultimately demanded of the Emperor to save his son and reconcile the conflict.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Hinduism: Positive
Islam: Positive
Overview
Following his conquest of India, Emperor Babar faces a crisis of loyalty among his troops and nobles. His most devoted subject, Sardar Sheikh, faces a dilemma when his daughter, Hamida, falls in love with Prince Humayun. Sheikh sends Hamida away, prompting Babar to intervene. However, a great sacrifice is ultimately demanded of the Emperor to save his son and reconcile the conflict.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's subject matter, a historical drama about Emperor Babur, does not inherently possess a strong political valence in the mainstream US context. Without specific narrative details indicating explicit promotion of either progressive or conservative ideologies, the film is assessed as neutral.
The movie, a historical drama about the founder of the Mughal Empire, features casting appropriate to its historical and geographical setting. Its narrative focuses on historical events and figures without explicitly critiquing traditional identities from a modern DEI perspective.
Secondary
While depicting the historical conflicts of conquest, the film portrays the Hindu populace and their traditions with respect. The narrative avoids demonizing Hinduism, instead focusing on the political and military aspects of the era, thereby affirming the dignity of the indigenous faith and its adherents.
The film centers on Shahenshah Babar, a Muslim ruler, portraying his life, conquests, and the establishment of the Mughal Empire. Islam is depicted as the foundational faith of the protagonist and his dynasty, presented with respect and as integral to his character and historical narrative.
Based on the information provided for 'Shahenshah Babar', there are no identifiable LGBTQ+ characters or themes present. Consequently, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
The movie does not contain any action or adventure elements.
The film is a historical drama centered on the Mughal emperor Babur. There is no available information or historical record indicating that any canonically or historically established characters were portrayed with a different gender in this 1944 production.
Babur, a historical Turco-Mongol (Central Asian) figure, was likely portrayed by Indian (South Asian) actors in this 1944 film. While ethnically distinct, this shift is considered an ethnic or national change rather than a change in broader racial category, aligning with the exclusion criteria for race swaps.
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