The Egyptian Queen Cleopatra bets against the Roman Emperor, Julius Caesar, that her people are still great, even if the times of the Pharaohs has long passed. She vows (against all logic) to build a new palace for Caesa...
The Egyptian Queen Cleopatra bets against the Roman Emperor, Julius Caesar, that her people are still great, even if the times of the Pharaohs has long passed. She vows (against all logic) to build a new palace for Caesa...
The film's central conflict revolves around a comedic adventure to complete an impossible architectural task, which lacks a strong inherent political valence. The narrative's solution emphasizes individual heroism, friendship, and magical intervention rather than promoting a specific ideological framework or systemic critique.
The movie features a diverse cast reflecting its ancient Egyptian setting, but this does not involve explicit race or gender swaps of traditionally white roles. The narrative maintains a neutral to positive framing of traditional identities and does not incorporate explicit DEI critiques.
The film 'Asterix & Obelix: Mission Cleopatra' does not include any identifiable LGBTQ+ characters or storylines. Its comedic elements and plot focus entirely on the adventures of Asterix and Obelix in ancient Egypt, without engaging with queer identities or themes. Therefore, the net impact on LGBTQ+ portrayal is N/A.
The film primarily features male characters in its combat sequences. No female characters are depicted engaging in or winning close-quarters physical combat against one or more male opponents.
The film faithfully adapts characters from the "Asterix" comic series and historical figures, maintaining their established genders. No named or plot-relevant character deviates from their canonical or historical gender portrayal.
The film adapts characters from the Asterix comics, where Gauls are depicted as white and Egyptians as North African/Middle Eastern. The casting of actors for these roles, including those of North African descent for Egyptian characters, aligns with the source material's racial depictions, thus not constituting a race swap.
Combines user and critic ratings from four sources