
Not Rated
Based on Lev Tolstoy's Resurrection. An independent production by Lalita Pawar starring herself as a mistreated orphan called Lalita in this rare example of a melodrama drawn from a non-Indian literary source. Madhav (Kale), the son of the family, impregnates Lalita and promises to marry her on his return from Bombay. Years later, Madhav returns married, and refuses to recognise her. To feed her son, Lalita becomes a prostitute and is accused of a murder that takes place in the brothel. The prosecutor turns out to be Madha
Based on Lev Tolstoy's Resurrection. An independent production by Lalita Pawar starring herself as a mistreated orphan called Lalita in this rare example of a melodrama drawn from a non-Indian literary source. Madhav (Kale), the son of the family, impregnates Lalita and promises to marry her on his return from Bombay. Years later, Madhav returns married, and refuses to recognise her. To feed her son, Lalita becomes a prostitute and is accused of a murder that takes place in the brothel. The prosecutor turns out to be Madha
This film is rated neutral due to the complete absence of specific plot details, character arcs, or thematic content, making any assessment of political bias impossible.
Without specific details on the movie's casting choices or narrative themes, the evaluation defaults to a neutral assessment regarding diversity, equity, and inclusion characteristics. There is no information to indicate explicit DEI-driven casting or a particular framing of traditional identities within the storyline.
Based on the provided information, there is no identifiable depiction of LGBTQ+ characters or themes in the film 'Duniya Kya Hai'. Therefore, a specific evaluation of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
Due to the film's age and limited available information, there is no clear evidence that "Duniya Kya Hai" is an adaptation of a work with pre-established characters or based on historical figures whose gender could have been swapped. Therefore, no gender swap can be confirmed.
This 1938 Indian film is not an adaptation of a work with characters of a different established race, nor does it depict historical figures whose race would be altered. There is no evidence of any character being portrayed by an actor of a different race than canonically or historically established.