Strong Right
6.8
A Black Rose Is an Emblem of Sorrow, a Red Rose an Emblem of Love
(1990)
Political: Leans Right
Diversity: Low
Iron Field (1987)
Bias Rating
Analyzing...
Center
Viewer Rating
Not rated
Overview
Vladmir Bobylev goes on leave for his 60th anniversary. He takes his wife and son and heads for his native town Kholmy, where he stops with his family at his battle comrade, who suggests a trip to their battle places. Th...
Starring Cast
Bias Dimensions
Political: Leans Left
Diversity: Low
Overview
Vladmir Bobylev goes on leave for his 60th anniversary. He takes his wife and son and heads for his native town Kholmy, where he stops with his family at his battle comrade, who suggests a trip to their battle places. Th...
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film, as a Soviet industrial drama, implicitly promotes the efficacy of collective effort and the pursuit of societal improvement through industrial development, aligning with left-leaning values of communal good and overcoming systemic challenges within a socialist framework.
The film is assessed as having traditional casting, likely featuring primarily white actors without explicit race or gender swaps of established roles. The narrative is presumed to maintain a neutral or positive framing of traditional identities, without incorporating critical DEI themes or negative portrayals of traditional characters.
Secondary
The film 'Zheleznoye pole' by Yaropolk Lapshin, a Soviet drama, does not appear to contain any LGBTQ+ characters or themes. Therefore, its net impact on the portrayal of LGBTQ+ individuals is N/A, as there is no depiction to evaluate.
The movie does not contain any action or adventure elements.
This film is an original Soviet drama from 1986, not an adaptation of existing source material with established characters or a biopic of a widely known historical figure. All characters are original to this production, thus precluding any gender swaps from prior canon.
The 1986 Soviet film "Zheleznoye pole" is an adaptation of a novel by Boris Vasilyev, featuring characters implicitly or explicitly of Russian/Slavic ethnicity. There is no evidence of any character being established as one race in the source material and then portrayed as a different race in the film.
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