In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that a more advanced level of the game exists somewhere, she gives up her loner ways and joins a gang of explorers. Even if she finds the gateway to the next level, will she ever be able to come back to reality?
In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that a more advanced level of the game exists somewhere, she gives up her loner ways and joins a gang of explorers. Even if she finds the gateway to the next level, will she ever be able to come back to reality?
The film's central subject matter, exploring the nature of reality and escapism through a virtual game, is inherently philosophical rather than political. The narrative focuses on an individual's existential quest for a deeper truth, consciously balancing potential critiques of societal bleakness with themes of personal mastery, resulting in a neutral political stance.
The movie features a cast that reflects its Polish production context, without explicit DEI-driven casting choices. Its narrative explores philosophical themes and does not engage in critical portrayals of traditional identities or center explicit DEI critiques.
The film 'Avalon' does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on a protagonist navigating a virtual reality game and exploring philosophical concepts of reality and identity, without incorporating queer representation.
The film's protagonist, Ash, engages in combat within a virtual reality game, primarily utilizing firearms and tactical play. There are no instances where she defeats male opponents in close-quarters physical combat or with melee weapons.
Avalon (2001) is an original film with no prior source material, historical figures, or legacy characters. All characters were created for this specific production, thus precluding any gender swaps from established canon.
Avalon (2001) is an original film with characters created specifically for this production. There are no pre-existing source materials, historical figures, or prior adaptations from which character races could be canonically established and subsequently changed.
Combines user and critic ratings from four sources