Set in 1951, a blacklisted Hollywood writer gets into a car accident, loses his memory and settles down in a small town where he is mistaken for a long-lost son.
Set in 1951, a blacklisted Hollywood writer gets into a car accident, loses his memory and settles down in a small town where he is mistaken for a long-lost son.
The film's central conflict unequivocally condemns the political paranoia and government overreach of the McCarthy era, championing individual integrity and the defense of free speech against unjust persecution, which aligns with left-leaning historical critiques of the Red Scare.
The movie features primarily traditional casting with an overwhelmingly white main and supporting cast, consistent with its 1950s small-town setting. The narrative positively frames traditional identities and American values, without any explicit critique or central DEI themes.
The film portrays the Christian faith as a foundational and positive force within the small town of Lawson, fostering community, hope, and moral resilience. The narrative aligns with the virtues of this faith-based community, presenting it with respect and sympathy.
The film 'The Majestic' does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a heterosexual protagonist's journey of self-discovery and community in a 1950s small town, with no elements related to queer identity or experiences.
The movie does not contain any action or adventure elements.
The Majestic is an original screenplay, not an adaptation of existing material or a biopic. All characters were created specifically for this film, meaning none were previously established with a different gender in any prior canon or historical record.
The Majestic is an original film with characters created specifically for this production. There is no prior source material, historical record, or previous adaptation to establish a canonical race for any character, thus precluding a race swap.
Combines user and critic ratings from four sources