Leans Traditional
6.9
Sachein
(2005)
Political: Center
Diversity: Low
Keemti Aansoo (1935)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
A tearful melodrama about a progressive writer, Pushpa (Gohar), and her weak husband, Kulin (Billimoria). She has to fight her domineering mother-in-law and the tyrannies of a conservative household. When falsely accused of theft and infidelity by her wayward sister-in-law Gulab, Pushpa is forced out of the house. In her final state of penury, she recalls the examples of the great female Saint-Poets of Indian history, like Meerabai. Secondary characters are used to caricature Bombay's merchant class e.g. Mahatma Ramanand Adambar, a fortune-teller who suspects his wife of infidelity, and a gold collector called Prof. Pyarelal.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
A tearful melodrama about a progressive writer, Pushpa (Gohar), and her weak husband, Kulin (Billimoria). She has to fight her domineering mother-in-law and the tyrannies of a conservative household. When falsely accused of theft and infidelity by her wayward sister-in-law Gulab, Pushpa is forced out of the house. In her final state of penury, she recalls the examples of the great female Saint-Poets of Indian history, like Meerabai. Secondary characters are used to caricature Bombay's merchant class e.g. Mahatma Ramanand Adambar, a fortune-teller who suspects his wife of infidelity, and a gold collector called Prof. Pyarelal.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
Due to the extreme lack of specific plot details and thematic information available for 'Keemti Aansoo' (1935), it is impossible to identify a dominant political thesis or specific ideological leanings, leading to a neutral rating.
This 1935 Indian film, operating within its specific cultural and historical context, features traditional casting and narrative framing. It does not exhibit characteristics of modern Diversity, Equity, and Inclusion (DEI) as defined by contemporary Western frameworks, such as explicit recasting of traditional roles or critical portrayals of traditional identities.
Secondary
Based on available information, the 1935 film "Keemti Aansoo" does not contain any identifiable LGBTQ+ characters or themes. Consequently, an evaluation of its portrayal of queer identity is not applicable under the given framework.
The movie does not contain any action or adventure elements.
Keemti Aansoo (1935) is an original film production. There is no prior source material, historical record, or previous adaptation to establish character genders before this film's release. Therefore, no gender swap can be identified.
There is no widely available information suggesting that "Keemti Aansoo" (1935) is an adaptation of source material with pre-established character races or a biopic of historical figures. Therefore, there is no basis to identify any character as having been race-swapped from a prior canonical or historical depiction.
More Like This
Traditional
7.3
Ghayal
(1990)
Political: Leans Right
Diversity: Low
Leans Traditional
7.5
Annamalai
(1992)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.3
Andaz Apna Apna
(1994)
Political: Center
Diversity: Low
Leans Traditional
6.7
Indrudu Chandrudu
(1989)
Political: Center
Diversity: Low
Traditional
6.9
Sharaabi
(1984)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
Aa Naluguru
(2004)
Political: Center
Diversity: Low
Traditional
6.7
Yeh Vaada Raha
(1982)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
Namak Halaal
(1982)
Political: Center
Diversity: Low
Leans Traditional
7.0
Chandramukhi
(2005)
Political: Center
Diversity: Low
Leans Traditional
6.8
Chalti Ka Naam Gaadi
(1958)
Political: Center
Diversity: Low
Traditional
7.9
Thevar Magan
(1992)
Political: Leans Right
Diversity: Low
Leans Traditional
7.5
Sathya
(1988)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.9
Amarkalam
(1999)
Political: Center
Diversity: Low
Leans Traditional
7.3
Lakshya
(2004)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.7
Socha Na Tha
(2005)
Political: Center
Diversity: Low
Leans Traditional
7.1
Qayamat Se Qayamat Tak
(1988)
Political: Center
Diversity: Low
Traditional
6.7
Pukar
(2000)
Political: Strong Right
Diversity: Low
Traditional
7.9
Satyakam
(1969)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
Gadar: Ek Prem Katha
(2001)
Political: Leans Right
Diversity: Moderate