Traditional
7.1
Air Force Elite: Thunderbirds
(2025)
Political: Strong Right
Diversity: Low
Atash Behram (1901)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
A short film focusing on the renovation of a Parsi fire temple. It reflects Bhatavdekar's interest in documenting cultural and religious practices.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
A short film focusing on the renovation of a Parsi fire temple. It reflects Bhatavdekar's interest in documenting cultural and religious practices.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's subject matter, Zoroastrian mythology and religious devotion, is inherently apolitical in the context of modern US political discourse, leading to a neutral rating due to the absence of discernible political messaging.
The movie features traditional casting for its cultural context, primarily utilizing Indian actors without engaging in race or gender swaps of traditionally white roles. Its narrative frames traditional identities neutrally or positively, without explicit critique.
Secondary
As an early 20th-century documentary short depicting a religious ritual, 'Atash Behram' does not present any identifiable LGBTQ+ characters or themes. The film's focus is solely on documenting the Parsi fire temple ceremony, thus rendering the concept of LGBTQ+ portrayal inapplicable.
The movie does not contain any action or adventure elements.
Atash Behram (1901) is an early short film/actualité, not an adaptation of source material with established characters or a narrative featuring historical figures. There is no evidence of characters with pre-defined genders being portrayed differently.
Atash Behram (1901) is an early silent film, often described as a documentary or actualité depicting wrestlers. It does not feature named characters with established canonical or historical racial identities from source material, making a race swap impossible under the given definition.
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