7.5
Viewer Rating
Combines user and critic ratings from four sources
Fuga dall'Albania (1998)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.5
Overview
The story begins in Albania where the heroine, Helen, suffers the abuse of her father, a former member of the Albanian Communist Militia. Troubling and extreme events in her life soon cause Helen to flee her homeland for Florence, Italy where she meets up with her friend Sylvia who works as a maid for a wealthy family. She soon learns that her boyfriend in Albania has been arrested for killing her cruel father. Though at first desperate to return home to help, Helen soon forgets her boyfriend's plight as she is seduced into a wicked life of vice and perversion by the wealthy family with whom she is staying. Helen finds herself spinning out of control in a frenzied cinematic vortex of sex, beer and manipulation. Helen does eventually return home to Albania, but only to discover there, her own erotic destiny.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Negative
Islam: Negative
Overview
The story begins in Albania where the heroine, Helen, suffers the abuse of her father, a former member of the Albanian Communist Militia. Troubling and extreme events in her life soon cause Helen to flee her homeland for Florence, Italy where she meets up with her friend Sylvia who works as a maid for a wealthy family. She soon learns that her boyfriend in Albania has been arrested for killing her cruel father. Though at first desperate to return home to help, Helen soon forgets her boyfriend's plight as she is seduced into a wicked life of vice and perversion by the wealthy family with whom she is staying. Helen finds herself spinning out of control in a frenzied cinematic vortex of sex, beer and manipulation. Helen does eventually return home to Albania, but only to discover there, her own erotic destiny.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film utilizes the dramatic premise of 'escape from Albania' as a narrative backdrop for its primary genre content, rather than as a vehicle for explicit political commentary. Any implicit political messages regarding the conditions in Albania or the exploitation of migrants are secondary and not central to the film's thesis, resulting in a neutral political bias.
The film's casting appears to follow traditional patterns without explicit DEI-driven choices. Its narrative does not engage in critical portrayals of traditional identities or strong, explicit DEI themes, focusing instead on its primary subject matter.
Secondary
The film implicitly or explicitly portrays Christian traditions and societal norms as contributing to the oppressive environment from which the protagonist is escaping, framing them as restrictive.
The film's 'escape' narrative implicitly portrays the traditional societal norms of Albania as restrictive. As Islam is the majority religion, it is associated with these norms, thus being depicted as a contributing factor to the oppressive environment from which characters seek liberation.
The film 'Fuga dall'Albania' does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses exclusively on heterosexual relationships and experiences, resulting in no depiction relevant to the rubric.
The movie does not contain any action or adventure elements.
This film is an original production and not an adaptation of existing source material with established characters, nor is it based on historical figures. Therefore, no characters could have been 'gender swapped' from a prior canonical or historical depiction.
The film "Fuga dall'Albania" is an original production without prior source material, historical figures, or established canon for its characters. Therefore, there is no baseline to determine if any character's race was changed from a previously established depiction.
Viewer Rating Breakdown
User Ratings
7.2
7.9
Critic Ratings
N/A
N/A
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