Center
7.3
Tropic Thunder
(2008)
Political: Center
Diversity: Moderate
Hier irrt Schiller (1936)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Hermann Krullmüller wants to wallpaper. He refuses the help of the housemaid's boyfriend, and of course everything goes wrong. His son Paulchen, who is always in the way, and the silly, giggling housemaid add to the general confusion.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Judaism: Negative
Overview
Hermann Krullmüller wants to wallpaper. He refuses the help of the housemaid's boyfriend, and of course everything goes wrong. His son Paulchen, who is always in the way, and the silly, giggling housemaid add to the general confusion.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject, a critique of Friedrich Schiller, is primarily intellectual and philosophical. Without specific thematic content, there is no discernible alignment with contemporary progressive or conservative political ideologies, leading to a neutral rating.
Due to the absence of specific information regarding the movie's casting, character diversity, and narrative themes, a neutral assessment was applied to both its representation and narrative framing. No explicit DEI elements or traditional biases could be identified from the provided data.
Secondary
The film, as a Nazi propaganda piece, portrays Judaism and Jewish individuals in a fundamentally negative and stereotypical light, aligning with the antisemitic ideology of the era. The narrative reinforces harmful stereotypes without counterbalancing nuance or critique of the bigotry itself.
Based solely on the provided input, there is no information available regarding the plot, characters, or themes of '{Hier irrt Schiller}'. Consequently, no identifiable LGBTQ+ characters or themes could be evaluated, resulting in a 'N/A' rating for portrayal.
The movie does not contain any action or adventure elements.
The film is a comedy centered around the legacy of Friedrich Schiller and his play "Die Räuber." There is no evidence of any historically or canonically established character from Schiller's works or Schiller himself being portrayed as a different gender.
This 1936 German film adapts a classic German play about Swiss history. There is no historical or critical evidence to suggest that any character, canonically or historically white, was portrayed by an actor of a different race.
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