Viewer Rating
Combines user and critic ratings from four sources
Young Altar's family is massacred by the 'master of fire'. Before loosing his life his father manages to safe him. Altar grows up in captivity nevertheless and is forced to fight for money. But now that he's grown up, he...
Young Altar's family is massacred by the 'master of fire'. Before loosing his life his father manages to safe him. Altar grows up in captivity nevertheless and is forced to fight for money. But now that he's grown up, he...
The film leans left by critically examining the destructive impact of rigid social class hierarchies and patriarchal traditions on individual lives, portraying the tragic consequences of personal revenge fueled by systemic injustice.
The film features traditional casting for its cultural and historical context, without any explicit race or gender swaps of roles. Its narrative does not present any critical portrayal of traditional identities or incorporate explicit DEI themes.
Based on available information, the film 'Altar' by Remzi Jöntürk does not contain any discernible LGBTQ+ characters or themes. Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
The film features female characters, but none are depicted engaging in or winning close-quarters physical combat against one or more male opponents. Their roles do not include such combat portrayals.
There is no evidence that "Altar" (1985) is an adaptation of a prior work or based on historical figures with pre-established character genders. Its characters are considered original to the film, thus not meeting the criteria for a gender swap.
Altar (1985) is an original Turkish film, not an adaptation of existing source material with pre-established characters, nor a biopic of historical figures. Therefore, no characters exist whose race could have been canonically or historically altered.
Combines user and critic ratings from four sources