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7.3
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
(2005)
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Diversity: Low
FemPower: Yes
Bez osheynika (1995)
Bias Rating
Analyzing...
Leans Right
Viewer Rating
Not rated
Overview
A talking dog befriends a boy after being rescued from dog smugglers. Later the dog gets jealous seeing his friend with a girl and her dog, and due to the dog's recklessness the dog smugglers succeeded in taking him away...
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
A talking dog befriends a boy after being rescued from dog smugglers. Later the dog gets jealous seeing his friend with a girl and her dog, and due to the dog's recklessness the dog smugglers succeeded in taking him away...
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Right
Primary
The film's central theme of seeking freedom and independence, as suggested by its title "Without a Collar," is a universal human desire that does not inherently align with a specific political ideology without further contextual details regarding the nature of the 'collar' or the 'liberation.'
This 1985 Soviet film features traditional casting that reflects the regional demographics of its time, without intentional race or gender swaps. Its narrative does not include explicit critiques of traditional identities or central DEI themes, aligning with the typical cinematic conventions of its era.
Secondary
The film 'Bez osheynika' is a children's movie centered on a dog's adventures. There are no identifiable LGBTQ+ characters or themes present in the narrative, resulting in no depiction of queer identity.
The movie does not contain any action or adventure elements.
The film "Bez osheynika" is an original story about a dog and its human companions. There is no evidence of any major or legacy characters being adapted from source material, previous installments, or historical records where their gender was explicitly established and subsequently changed in this film.
The film "Bez osheynika" is an original story about a boy and his dog, not an adaptation of a work with pre-established character races or a depiction of historical figures. There is no evidence of any character being portrayed by an actor of a different race than canonically or historically established.
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