3.8
Viewer Rating
Combines user and critic ratings from four sources
Carmen - Glyndebourne Festival Opera (1985)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 3.8
Overview
Don José is a guard who begins an affair with the tempestuous Carmen. He is imprisoned and loses his job, then flees with her to the mountains. When the relationship starts to break down José refuses to acknowledge it and will not leave, even when he gets news that his mother is dying. Carmen, meanwhile, has taken up with the bullfighter Escamillo. Bizet's most famous opera is brought to the Glyndebourne Festival Opera by Sir Peter Hall, with Maria Ewing and Barry McCauley heading an international cast.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Race Swap: Yes
Christianity: Positive
Overview
Don José is a guard who begins an affair with the tempestuous Carmen. He is imprisoned and loses his job, then flees with her to the mountains. When the relationship starts to break down José refuses to acknowledge it and will not leave, even when he gets news that his mother is dying. Carmen, meanwhile, has taken up with the bullfighter Escamillo. Bizet's most famous opera is brought to the Glyndebourne Festival Opera by Sir Peter Hall, with Maria Ewing and Barry McCauley heading an international cast.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
This opera production primarily explores universal human themes of passion, freedom, and fate through a tragic narrative, rather than explicitly promoting a specific political ideology. Its core conflicts are personal and dramatic, not political.
This production of Carmen features traditional casting without explicit race or gender swaps of roles. The narrative, while portraying a male character negatively, does so within a character-driven tragedy rather than as an explicit critique of traditional identities or as a central DEI theme.
Secondary
The character Carmen, canonically a Romani woman in the source material, is portrayed by an actress of African-American heritage in this 1985 opera production, constituting a race swap.
The film portrays Christianity as the moral and cultural foundation for characters like Micaëla, who embodies its virtues sympathetically. Don José's tragic descent is implicitly linked to his abandonment of his Christian-aligned life, suggesting a narrative alignment with the dignity of the faith's principles.
This production of Bizet's classic opera Carmen focuses on the heterosexual relationships and dramatic conflicts central to the original story. There are no identifiable LGBTQ+ characters or themes present in the narrative.
The movie does not contain any action or adventure elements.
This 1985 Glyndebourne Festival Opera production of "Carmen" adheres to the traditional casting of the original opera. All major characters, such as Carmen, Don José, and Escamillo, retain their canonically established genders.
Viewer Rating Breakdown
User Ratings
7.5
N/A
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
7.2
My Way
(2012)
Political: Center
Diversity: Low
Leans Traditional
7.3
The Singer
(2006)
Political: Center
Diversity: Low
Leans Traditional
7.2
La Vie en Rose
(2007)
Political: Center
Diversity: Low
Leans Traditional
8.5
Three Colors: Blue
(1993)
Political: Center
Diversity: Low
Leans Traditional
7.7
Walk the Line
(2005)
Political: Center
Diversity: Low
Leans Traditional
6.9
The Big Broadcast
(1932)
Political: Center
Diversity: Low
Leans Traditional
10.0
Faces Nord
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.3
Alexander's Ragtime Band
(1938)
Political: Center
Diversity: Low
Leans Traditional
6.9
Rocky Mountain Holiday with John Denver and the Muppets
(1983)
Political: Center
Diversity: Low
Leans Traditional
8.3
A Star Is Born
(1954)
Political: Center
Diversity: Low
Leans Traditional
8.4
The Triplets of Belleville
(2003)
Political: Center
Diversity: Low
Leans Traditional
8.0
Leningrad Cowboys Go America
(1989)
Political: Center
Diversity: Low
Leans Traditional
7.9
High Fidelity
(2000)
Political: Center
Diversity: Low
Leans Traditional
7.9
The Music Man
(1962)
Political: Center
Diversity: Low
Leans Traditional
6.6
Baiju Bawra
(1952)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Joker is Wild
(1957)
Political: Center
Diversity: Low
Traditional
6.5
Taken
(2008)
Political: Leans Right
Diversity: Low
Traditional
7.1
Jawani Phir Nahi Ani
(2015)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.4
A Good Marriage
(1982)
Political: Center
Diversity: Low
Leans Traditional
7.2
Locos por la música
(1980)
Political: Center
Diversity: Low