
Not Rated
Hugo, a rich and wild young man, joins Julio, his close friend and party companion, and after a night of adventure and alcoholic libations, the two awaken, still thirsty for adventure. They head to the Livestock Exhibition, then in full swing. There, they part ways, and Hugo goes to meet the beautiful Geni, the young daughter of Colonel França, a wealthy rancher from southern Minas Gerais and one of the main exhibitors at the important event. Hugo, upon seeing this beautiful young woman with such sweet eyes, is attracted to her, begins to fall in love with her. And, seizing a lucky opportunity, he invites her to dinner together at a restaurant located on the Exhibition grounds. Just then, a daring man appears and tries to flirt with his young companion.
Hugo, a rich and wild young man, joins Julio, his close friend and party companion, and after a night of adventure and alcoholic libations, the two awaken, still thirsty for adventure. They head to the Livestock Exhibition, then in full swing. There, they part ways, and Hugo goes to meet the beautiful Geni, the young daughter of Colonel França, a wealthy rancher from southern Minas Gerais and one of the main exhibitors at the important event. Hugo, upon seeing this beautiful young woman with such sweet eyes, is attracted to her, begins to fall in love with her. And, seizing a lucky opportunity, he invites her to dinner together at a restaurant located on the Exhibition grounds. Just then, a daring man appears and tries to flirt with his young companion.
The film is a descriptive documentary exploring the culture, history, and landscapes of Minas Gerais, Brazil. Its central subject matter lacks an inherent strong political valence, and the narrative focuses on observational and poetic depiction rather than explicit ideological advocacy.
Based on the limited information provided (title and directors only), the movie does not present explicit indicators of diversity, equity, and inclusion in its casting or narrative framing. The evaluation reflects an absence of specific details that would suggest intentional DEI efforts or critiques of traditional identities.
Based on the information provided, the film 'Entre as Montanhas de Minas' does not contain identifiable LGBTQ+ characters or themes. Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
This film is a 1964 Brazilian documentary exploring the geography, culture, and people of Minas Gerais. It does not feature any action sequences or combat scenes, and therefore no instances of female characters engaging in or winning physical fights against male opponents.
As an early silent film from 1928, there is no widely established source material, prior adaptations, or historical figures for "Entre as Montanhas de Minas" that would provide a canonical gender baseline for its characters. Therefore, no gender swaps can be identified.
This 1928 Brazilian silent film is an original production and not an adaptation of existing source material with pre-established character races, nor does it feature widely known historical figures whose race would be canonically defined prior to the film's creation. Therefore, no race swaps occurred.