Viewer Rating
Combines user and critic ratings from four sources
Poor young man Mahmoud Fathi electrician and loves music and composing, live in the same House orphan girl Delilah who loves him and trading love, in its composition towards renewal and which does not correspond to respond, he discovers that his girlfriend is sick with TB and to cure her needs a large amount so he agrees to sing Method does not satisfy him to provide, the girl decides to sacrifice herself, committing suicide to free him from this situation and to live his art. Captured by a wealthy Lady insists, intellectual Hanim resume career.
Poor young man Mahmoud Fathi electrician and loves music and composing, live in the same House orphan girl Delilah who loves him and trading love, in its composition towards renewal and which does not correspond to respond, he discovers that his girlfriend is sick with TB and to cure her needs a large amount so he agrees to sing Method does not satisfy him to provide, the girl decides to sacrifice herself, committing suicide to free him from this situation and to live his art. Captured by a wealthy Lady insists, intellectual Hanim resume career.
The film's political bias cannot be assessed as no plot, character, or thematic information was provided, leading to a neutral rating of 0.
Due to the absence of specific details regarding the movie's casting, character diversity, narrative, or thematic framing, a definitive DEI evaluation cannot be performed. The assessment reflects a neutral stance, indicating no explicit DEI elements or traditional portrayals could be identified from the provided information.
No information was provided to evaluate the portrayal of LGBTQ+ characters or themes in the film 'Dalila' by Muhammad Karim. Therefore, an assessment of its net impact cannot be made based on the given data.
The movie does not contain any action or adventure elements.
The film "Dalila" (1956) features a female protagonist named Dalila, consistent with the widely established female biblical figure Delilah. There is no evidence of any canonically or historically established character being portrayed as a different gender.
Dalila (1956) is an original Egyptian film, not an adaptation of pre-existing material with established character races or based on historical figures. Therefore, no characters had a prior canonical or historical race to be swapped from.
Combines user and critic ratings from four sources