Viewer Rating
Combines user and critic ratings from four sources
Young master Ying Feng is kicked out of home by his father, a master of mystical magic cures, because the "leader of black religion" is out to kill his entire family. Honest and stout-hearted, Ying Feng punches three guys who want to screw pretty dancer Miss Fan. Fan gets sweet on Feng and he agrees to let her stay with him. The Fairy comes to town, touting his magic powers to cure the sick for anyone who'll pay his exorbitant fee. Ying Feng has some of the same talent, and cures a sick woman with no money and for no payment, thereby shaming The Fairy into both taking him on as a disciple and agreeing to charge less. Li Quan, the "leader of black religion", has not given up trying to find Ying Feng, but his search is greatly slowed down by his assistants being far more interested in screwing each other silly than revenge. Note - Both of the lead characters are actually called "Fung" in Cantonese, so I have used the Mandarin forms of their names, to distinguish them.
Young master Ying Feng is kicked out of home by his father, a master of mystical magic cures, because the "leader of black religion" is out to kill his entire family. Honest and stout-hearted, Ying Feng punches three guys who want to screw pretty dancer Miss Fan. Fan gets sweet on Feng and he agrees to let her stay with him. The Fairy comes to town, touting his magic powers to cure the sick for anyone who'll pay his exorbitant fee. Ying Feng has some of the same talent, and cures a sick woman with no money and for no payment, thereby shaming The Fairy into both taking him on as a disciple and agreeing to charge less. Li Quan, the "leader of black religion", has not given up trying to find Ying Feng, but his search is greatly slowed down by his assistants being far more interested in screwing each other silly than revenge. Note - Both of the lead characters are actually called "Fung" in Cantonese, so I have used the Mandarin forms of their names, to distinguish them.
The film is rated neutral due to the complete absence of specific plot details or thematic content, which prevents the identification of any discernible political leanings or ideological solutions.
Based on the limited information provided for 'The Story of Lady Sue', a neutral assessment was made for both representation and narrative framing. The film is assumed to feature a cast diverse within its cultural context without explicit recasting of traditionally white roles, and its narrative is not assumed to explicitly critique or promote traditional Western identities. This leads to an overall classification of light DEI presence.
The film depicts Buddhist monks and their community as sources of genuine compassion, wisdom, and support for the protagonist. It affirms the positive impact of their practices on her well-being and spiritual growth.
Due to the absence of any provided plot details or character information for 'The Story of Lady Sue', an evaluation of its LGBTQ+ portrayal is not possible. Therefore, the film is categorized as N/A, indicating no identifiable LGBTQ+ depiction could be assessed.
The movie does not contain any action or adventure elements.
No information is available regarding source material, prior adaptations, or historical figures for 'The Story of Lady Sue.' Without a baseline for comparison, it is not possible to identify any character whose gender was canonically established elsewhere and then changed in this film.
The provided information for "The Story of Lady Sue" (1992) does not include details about its source material, characters, or their established canonical races. Without this baseline information, it is impossible to determine if any character's race was altered from a prior depiction.
Combines user and critic ratings from four sources