Leans Traditional
0.0
The Wreck of the Dunbar or The Yeoman's Wedding
(1912)
Political: Center
Diversity: Low
The Ticket of Leave Man (1912)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Low
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central conflict, while evoking sympathy for an ex-convict, ultimately champions individual perseverance and moral rectitude within the existing social and legal framework, rather than advocating for systemic reform or critiquing societal structures.
Given its historical context as a 1912 silent film, the movie is assessed to feature traditional casting and a narrative that does not critically portray traditional identities or incorporate explicit DEI themes. The film's characteristics align with the common cinematic practices of its era.
Secondary
The film 'The Ticket of Leave Man' is a silent crime drama from 1912. Its plot, centered on a man's struggle to reform after prison, does not include any discernible LGBTQ+ characters or themes. Therefore, there is no portrayal to evaluate within the scope of this framework.
The movie does not contain any action or adventure elements.
This 1912 film adaptation of Tom Taylor's 1863 play features characters whose on-screen genders align with their established portrayals in the source material. No significant characters were depicted with a different gender.
The 1912 film is an adaptation of a Victorian-era British play. There is no evidence that any character, originally established as one race in the source material, was portrayed by an actor of a different race in this early silent film adaptation.
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