Center
7.0
Finding Forrester
(2000)
Political: Center
Diversity: Moderate
Burning of St. Pierre (Martinique) (1902)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Third part in Edison’s “Martinique” trilogy. It shows the shower of ashes and cinders falling upon the stricken city, the boiling water in the harbor, the air laden with smoke and ash dust, the destroyed buildings, the fallen lighthouse, and a great volume of smoke pouring from the crater of Mt. Pelee.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
Third part in Edison’s “Martinique” trilogy. It shows the shower of ashes and cinders falling upon the stricken city, the boiling water in the harbor, the air laden with smoke and ash dust, the destroyed buildings, the fallen lighthouse, and a great volume of smoke pouring from the crater of Mt. Pelee.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject matter, a natural disaster, is inherently apolitical, and without specific narrative or directorial choices indicating political commentary, it is presumed to be a neutral depiction of a historical event.
The film's depiction of a historical event in Martinique naturally features a diverse cast reflecting the local population, without explicit race-swapping of traditional roles. The narrative is anticipated to focus on the disaster itself, maintaining a neutral stance on traditional identities and not centering on explicit DEI themes.
Secondary
This historical film documents the 1902 eruption of Mount Pelée and the destruction of St. Pierre, Martinique. As a factual record of this catastrophic event, it does not include any identifiable LGBTQ+ characters or explore related themes, resulting in an N/A rating for LGBTQ+ portrayal.
The movie does not contain any action or adventure elements.
This 1902 film is a historical depiction of the Mount Pelée eruption and the destruction of St. Pierre. It is highly unlikely to feature named, plot-relevant characters with established canonical or historical genders that could be subject to a gender swap.
This 1902 film depicts a historical event, not specific characters with pre-established racial identities from source material or prior canon. The concept of a 'race swap' does not apply to its generic portrayal of people during a disaster.
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