A murder in Paris’ Louvre Museum and cryptic clues in some of Leonardo da Vinci’s most famous paintings lead to the discovery of a religious mystery. For 2,000 years a secret society closely guards information that — should it come to light — could rock the very foundations of Christianity.
A murder in Paris’ Louvre Museum and cryptic clues in some of Leonardo da Vinci’s most famous paintings lead to the discovery of a religious mystery. For 2,000 years a secret society closely guards information that — should it come to light — could rock the very foundations of Christianity.
The film's dominant themes align with left-leaning values by challenging the patriarchal foundations and historical narratives of the Catholic Church, promoting an alternative, more inclusive interpretation of Christian origins.
The film features a predominantly traditional cast without intentional race or gender swaps of established roles. Its narrative centers on a historical and religious mystery, and it does not explicitly critique traditional identities or incorporate DEI themes as central to its plot.
The film portrays the Catholic Church and its institutions, particularly Opus Dei, as historically deceptive, power-hungry, and willing to commit violence to suppress alternative historical narratives, especially regarding the role of Mary Magdalene and the 'sacred feminine'.
The Da Vinci Code does not feature any explicitly identified LGBTQ+ characters or themes. The narrative focuses on religious mysteries and historical conspiracies without engaging with queer identity in any discernible way, leading to an N/A rating.
The movie does not contain any action or adventure elements.
The film adapts Dan Brown's novel, retaining the established genders for all major characters from the source material. No characters who were canonically male or female in the novel are portrayed as a different gender in the movie.
The film adapts the novel by Dan Brown, and all major characters, including Robert Langdon and Sophie Neveu, are portrayed by actors whose race aligns with their descriptions in the source material. No character canonically established as one race was portrayed as a different race.
Combines user and critic ratings from four sources