Failed London banker Max Skinner inherits his uncle's vineyard in Provence, where he spent many childhood holidays. Upon his arrival, he meets a woman from California who tells Max she is his long-lost cousin and that the property is hers.
Failed London banker Max Skinner inherits his uncle's vineyard in Provence, where he spent many childhood holidays. Upon his arrival, he meets a woman from California who tells Max she is his long-lost cousin and that the property is hers.
The film primarily focuses on an individual's journey of self-discovery and finding meaning outside of corporate ambition, balancing a critique of materialism with an appreciation for tradition and simple living, thus remaining largely apolitical.
The film primarily features traditional casting without intentional race or gender swaps of established roles. Its narrative maintains a neutral to positive framing of traditional identities, with no explicit critique or central DEI themes.
The film "A Good Year" does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on a heterosexual romance and a man's journey of self-discovery, leaving no scope for LGBTQ+ representation or related discussions.
The movie does not contain any action or adventure elements.
The film "A Good Year" is an adaptation of Peter Mayle's novel. All significant characters in the film maintain the same gender as established in the original source material. There are no instances where a canonically established character's gender was changed for the screen adaptation.
The film "A Good Year" is an adaptation of Peter Mayle's novel. All major characters, as established in the source material, are portrayed by actors of the same race in the film, with no instances of a character's race being changed.
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