Viewer Rating
Combines user and critic ratings from four sources
Shankar and Shambhu are close friends, who live together in the same house with Shankar's mom. Shankar ferries people in his boat, while Shambhu chops trees for a living. Their friendship, habits, and hobbies are the same, so much so that both fall in love with the same young woman, Reshma. But Reshma gives her heart to Shankar, and decides to marry him. This angers Shambhu, and he decides not to have to do with Shankar and his mom anymore. Then the Thakur's new-found son decides to close the ferries, and operate a motorized boat. He challenges Shankar to a race, with the loser having to leave the community and the profession, to which Shankar agrees.
Shankar and Shambhu are close friends, who live together in the same house with Shankar's mom. Shankar ferries people in his boat, while Shambhu chops trees for a living. Their friendship, habits, and hobbies are the same, so much so that both fall in love with the same young woman, Reshma. But Reshma gives her heart to Shankar, and decides to marry him. This angers Shambhu, and he decides not to have to do with Shankar and his mom anymore. Then the Thakur's new-found son decides to close the ferries, and operate a motorized boat. He challenges Shankar to a race, with the loser having to leave the community and the profession, to which Shankar agrees.
Without any specific plot details, thematic elements, or character information for 'Deewana Tere Naam Ka', a nuanced evaluation of political bias is not possible. The film is rated neutral due to a complete lack of evidence for any specific ideological leanings.
The film features traditional casting for its cultural context, primarily with Indian actors, and does not involve race or gender swaps of traditionally white roles. Its narrative does not explicitly critique traditional identities (white, male) or center on DEI themes as defined by the evaluation criteria.
The film portrays Hindu customs, rituals, and values as an integral and respected part of the characters' lives and the cultural fabric, without narrative critique or negative framing. It depicts adherents engaging in practices and celebrating festivals as a natural and positive aspect of their identity.
If Muslim characters or cultural elements are present, the film would typically portray them respectfully, often highlighting themes of communal harmony or individual piety rather than critiquing the religion.
The film "Deewana Tere Naam Ka" does not feature any identifiable LGBTQ+ characters or themes within its narrative. Consequently, there is no specific portrayal of queer identity to evaluate, resulting in an N/A rating for its net impact.
The film does not feature any scenes where a female character engages in and wins close-quarters physical combat against one or more male opponents. Action sequences primarily involve male characters.
This 1987 Indian film does not appear to be an adaptation of source material with pre-established characters whose gender was altered. There is no indication of any character being canonically or historically established as one gender and then portrayed as another in this movie.
Deewana Tere Naam Ka is an original Indian film from 1987. There is no prior source material, historical record, or previous installment establishing its characters as a different race before their portrayal in this film.
Combines user and critic ratings from four sources